![]() Personally, I most enjoy working with a small crew of between five and 10 people. ![]() But the reality is, today that paradigm is shifting from working in a group to working solo. Video and film are definitely a collaborative medium and were designed to be shot with a crew, with each position filled by a person whose job it was to light a scene, shoot it with a camera and record the sound. Setting up a medium Chimera in homes and offices and not on stages with high ceilings can be tricky.Ī crew of three to five people was considered a small, minimal crew. The “one-man band” approach to video production is a phenomenon that has grown side-by-side with the advent of new smaller, lighter and simpler-to-use gear.Ī decade ago, a small documentary or corporate shoot would typically have a cameraperson, sound mixer and perhaps a PA or a gaffer as well as a producer/director/interviewer. What that all means is that one person-you-needs to know more about all aspects of the production. Even as little as a decade ago, the expense and complexity of pro video gear meant that it simply took more skilled labor to create video and cinema. ![]() The advent of web video has changed who creates video today. Gear was expensive, and the skills to use it professionally were rarer than they are today. If you were in video production in the 1980s, ’90s and early 2000s, it cost significantly more for clients to produce programming at any level. Yes, although the digital revolution has given us these benefits, there’s a downside. It’s now possible to easily and effectively edit not only on non-computer devices like tablets but to edit 4K video on our mobile phones. Heavy, heat-generating Tungsten lighting instruments have been replaced with much smaller, cooler, more flexible and versatile LED instruments. Many of us are using cameras that, for a little over $1,000, can shoot in high-quality 4:2:2 10-bit 4K-resolution formats that would have been unimaginable just a few years ago. All it really needs is tighter roto work and some color correction.This shoot pushed the limits of how much gear I could set up and manage solo.Īn interesting and significant by-product of the digital revolution is that most of the gear used today to create television and film is now significantly lighter, smaller, less expensive and higher-quality than anyone could have imagined 15 or 20 years ago. I'm also impressed the sync didn't become an issue, even if he just replayed the song quietly in the background and took care to edit it out / cover it up from his own voice recording. ![]() The Killer Queen vid is very impressive on a couple levels (the guy seems to play all instruments, sings quite well, and he planned out his blocking pretty well) but also has obvious technical problems with the different color correction / lighting issues, and some pretty choppy rotoscope work. Every time the actor crosses a clone, you get to roto him out, but if you keep the guy from crossing any lines at the same time in the edit, you're golden.īasically, it takes a lot of planning, blocking and practice for a good result. Finally, get busy with the masks and drive yourself nuts. In post, cut the shot into as many "clones" as you have on screen, and composite them all together in their own layers. I did this a long time ago with careful placement of the actor and a lot of masking using After Effects.Ĭamera on tripod, roll camera, then have actor play out all positions from start to finish in each area while the camera rolls.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |